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Alba Yruela

Alba Yruela is 21 years old and living in Barcelona, Spain. She was born in La Bisbal a town near the Catalan Pyrenees. She was living and working in London for a year. Her photographs are a project/diary about her life. Alba’s portfolio is so honest, natural and raw.

For more of her work please visit
www.albayruela.com

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Andrew Frost | Caledonia

Since the late 1700s my family has lived in the Northeast Kingdom of Vermont, but in the late 70′s my dad left and joined the Navy. Growing up, we never went back to Vermont, but I always imagined this magical place, some sort of Thomas Cole/Norman Rockwell mashup, with mountains and rivers and lakes, and where kids could ride their bikes to the village store.
In 2010, I moved to upstate New York, within easy driving distance, and began photographing this world I had so often imagined but never experienced. Continue Reading →

Mixed Media Post

The quick, brown fox jumps over a lazy dog. DJs flock by when MTV ax quiz prog. Junk MTV quiz graced by fox whelps. Bawds jog, flick quartz, vex nymphs. Waltz, bad nymph, for quick jigs vex! Fox nymphs grab quick-jived waltz. Brick quiz whangs jumpy veldt fox. Bright vixens jump; dozy fowl quack.

Author | Series | Title

The quick, brown fox jumps over a lazy dog. DJs flock by when MTV ax quiz prog. Junk MTV quiz graced by fox whelps. Bawds jog, flick quartz, vex nymphs. Waltz, bad nymph, for quick jigs vex!

Junk MTV quiz graced by fox whelps. Bawds jog, flick quartz, vex nymphs.
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Standard Post (Text only)

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.

It is a paradisematic country, in which roasted parts of sentences fly into your mouth.

Continue Reading →

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© Author | Image title | To be defined in the gallery under 'Title'© Author | Image title | To be defined in the gallery under 'Title'© Author | Image title | To be defined in the gallery under 'Title'© Author | Image title | To be defined in the gallery under 'Title'© Author | Image title | To be defined in the gallery under 'Title'© Author | Image title | To be defined in the gallery under 'Title'© Author | Image title | To be defined in the gallery under 'Title'© Author | Image title | To be defined in the gallery under 'Title'© Author | Image title | To be defined in the gallery under 'Title'

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Hello! I am an exemplary profile page for you as an ACMV Editor/Contributor, eager to be filled with your contents! We’ll leave the layout/design of your profile page entirely up to you :)

You can include text only, you can set up an image gallery (located on top of the page, as shown here) – alternatively you can also manually insert images in-between the text, wherever you’d like to place them.

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One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. Quote example:

Always its not about how you feel, about how shitty or great its going, you have to look at the pictures and see where they lead. You cannot want the pictures to be a certain way or the idea to be what you thought it was going to be, you have to let it unfold and show you what it is.”

Judith Joy Ross, on How to Start a Project

The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me? ” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls.

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CV / Publications / etc.
Drops of rain could be heard hitting the pane, which made him feel quite sad. “How about if I sleep a little bit longer and forget all this nonsense”, he thought, but that was something he was unable to do because he was used to sleeping on his right, and in his present state couldn’t get into that position. However hard he threw himself onto his right, he always rolled back to where he was. He must have tried it a hundred times, shut his eyes so that he wouldn’t have to look at the floundering legs, and only stopped when he began to feel a mild, dull pain there that he had never felt before. “Oh, God”, he thought, “what a strenuous career it is that I’ve chosen! Travelling day in and day out.

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    Greg Girard | In the Near Distance

    Within Greg Girard’s amazing body of work we are especially fascinated by his early photographs, compiled under the name “In the Near Distance”.
    The wonderful book (84 pp., Illustrated thoughout, 8×11) was published in 2010 by Kominek Books Berlin.

    In the Near Distance 1973-86 is the document of Greg Girard’s early wanderings, the adolescent search for prospects and aims: nocturnal street sceneries, portraits of “sailors and friends”, images of creatures of the night and hotel rooms. In addition to black-and-white-materials Girard mainly used color slides during those years – and thus adds a new and important body of work to the color photography of the seventies. Continue Reading →

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    Jon Goering | Los cartoneros

    “As night falls on Buenos Aires, the city’s cartoneros comb the streets collecting the recyclables. Most pull simple two-wheeled carts and walk their route day after day, piling the carts high above their heads and wheeling them to the recycling centers. There they collect for their work, slowly scrounging together a living using the city’s waste. Continue Reading →