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Lea Habourdin - Cahier de DoleancesLea Habourdin - Cahier de DoleancesLea Habourdin - Cahier de DoleancesLea Habourdin - Cahier de DoleancesLea Habourdin - Cahier de DoleancesLea Habourdin - Cahier de Doleances

Léa Habourdin | «Cahier de Doléances» & «Book of Possibilities»

Léa Habourdin « Cahier de Doléances » & « Book of Possibilities »
exp12 / exposure twelve, Greifswalder Straße 217, 10405 Berlin
Opening: March 7, 2014 at 7 pm
Exhibition: March 8 – April 6, 2014
Opening hours: Sat 4 – 8 pm / Sun 2 – 6 pm

Man is an animal that can turn toward his own helplessness. ” *

The French photographer Lea Habourdin presents with ” Cahier de Doléances ” and “Book of Possibilities ” two of her works in the gallery exp12. Her work is about the tension between the instinctive, innate behavior of animals and humans’ social behavior which is determined by the rules of rationality within our society. Continue Reading →

Amaury da Cunha | Après toutAmaury da Cunha | Après toutAmaury da Cunha | Après toutAmaury da Cunha | Après toutAmaury da Cunha | Après toutAmaury da Cunha | Après toutAmaury da Cunha | Après toutAmaury da Cunha | Après toutAmaury da Cunha | Après toutAmaury da Cunha | Après tout | Book Cover, éditions Le Caillou bleu, hardcover, 64 pagesAmaury da Cunha | Après tout | Invitation to the Exhibition at Espace Lhomond Paris

Amaury da Cunha | Après tout

Après tout (After All) represents a turning point in the work of Amaury da Cunha.
His previous series, Saccades (Jolts), was somewhat luminous, infused with a sense of wonder facing the world. Après tout darkens in tone, as wonder gives way to bewilderment. Invading shadows are the backdrop for a photographer depicting himself as blinded. Death and sex are less allusive. A dog bares its fangs, while a bird of prey claws a branch. Yet shafts of light or a glimpsed road suggest that the end is not as impending as we may think. Continue Reading →